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The Protagonist Speaks

Interviews with the characters of your favourite books

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Monsters

Adalyn and Penelope Price (of Existence, by L. D. Whitney)

Dear readers, tonight we reprint a transcript of a TV interview, hosting two sisters — a biologist and an author. They are here to tell us about their adventures in the Amazon basin, and about the crypids they encountered there.


/Begin Transcript/

Jack Carver: Tonight, we are honored to welcome Adalyn and Penelope Price to the show. Adalyn, of course, is best known for her contributions to the field of biology, particularly in the study of the “Ex-Extinct.” And Penelope generously took time out of her book tour to talk to us. Ladies, how are you tonight?

Adalyn: Ada. Just call me Ada. I’m…I’m doing well. Thanks.

Penelope: Penny is fine. *smiles* We’re happy to be on the show. Thanks for having us.

Jack: Of course, how could we miss this opportunity?

Adalyn Ada: *under breath* By not calling…

Penelope Penny: *Glares briefly toward Ada*

Jack: *laughs awkwardly* So, tell us a little bit about how you got started with…with all of this!

Penny: Well, we owe a lot to José Narvaez, he couldn’t be here today, but if it wasn’t for him, “Existence” wouldn’t exist. *laughs*

Ada: Are you asking how we became “monster hunters?” That’s what you really want to know, right?

Jack: Sure. *hesitates* Let’s start with that.

Ada: Lost a crew to carnivorous land whales from the Eocene. José dogged us till we gave in.

Penny: Till you gave in.

Ada: But you get it, Jack. This is what? Your twelfth time trying to get me here?

Penny: What Ada is less than eloquently saying, is that the world was extremely interested in her discovery. Even if it did color us with some unwanted fame.

Ada: Us? Me, you mean?

Penny: *laughs*

Jack: *laughs*

Ada: *laughs sarcastically*

Jack: Penny, in your book, Existence, you detail your expedition into the Amazon in search of a living legend. But you also state that this has always been an interest in your family?

Penny: I have to admit, it was mostly Ada’s. I played with dolls as a child and did my fair share of finger painting. For Ada, it was monsters.

Ada: They were dinosaurs.

Penny: Sure, that’s where it started, but that led to Loch Ness and Bigfoot…

Ada: And giant sloths and sabretooth tigers. Yeah.

Continue reading “Adalyn and Penelope Price (of Existence, by L. D. Whitney)”

Benjamin Salazar, Esq. (of Monster City, by Kevin Wright)

Dear readers, tonight we reprint an interview held at a coffee shop with a homeless, disbarred lawyer, living on the streets of a city filled with monsters. Here’s here to tell us about the problems he faces, from drugs to werewolves.


-I’m here with Benjamin Salazar, Esq.

Mister Salazar, could you please tell us a little about where you grew up. Paint a picture. What was it like there?

Well. I grew up in the old mill city of Colton Falls, Massachusetts during the 1960’s, and what I erroneously believed, at the time, was the Golden Age of recreational drug abuse.

Little did I know my childhood experimentation with heroin and horse tranquilizers would pale in comparison to the shit the kids are pushing up their arms today.

-Ah…?

I know, I know. You see it, too. Jesus.

These kids today. Am I right?

Practically have drugs handed to them. Have everything handed to them. Don’t even have to work for it, that’s the problem. Have it prescribed by their doc or delivered by some kid named Tad who drives an Acura and lives in an old Victorian on Main Street in uptown USA.

The good shit, too. The hard shit. Synthetics straight out of China. Fentanyl. Carfentanyl. Pure. Uncut.

Man oh man…

And when they inevitably OD?

Jesus, everyone’s packing Narcan these days. Everyone. They’re literally giving it away. (Salazar digs into his briefcase and slaps a fistful of blister packs of Narcan on the table.)

See…?

But me? My day?

I had to trudge uphill through sleet and rain to score my overdose. Both ways. Into rough neighborhoods. Lawrence. Lowell. Downtown Colton Falls.

Black kids beat me up. Hispanic. White. Vietnamese. Everyone.

Jesus, even Jewish kids beat me up. My own people. And do you know how many Jews live in the Merrimack Valley?

-Uh … no. (The waitress brings us our coffees.)

About five. Really. Counting me. And they all beat me up.

Every. Single. One.

I mean, they’d take turns. Crazy, right? And one of them was my first cousin.

And … she was a girl.

-Okay, that’s … kind of sad, I guess. Maybe we should just move on. I notice you have esquire appended to your name.

Appended—?!

 Just what the hell are you getting at? (Salazar rips his glasses off.)

-It means ‘attached.’ I think.

Oh. Well. (He fixes his tie and sits back down.) Sorry about that.

Yeah. Yeah. I used to be a lawyer. A trial lawyer. Damn good one, too. That’s why I had the ‘esquire,’ ahem, appended … to my name.

Now though? I just keep it there cause I’m used to it and, truth be told, I’m a bit of a douche bag.

-A what? Oh. Never mind. Uh … so you retired from practicing law?

Retired? With the fat 401k and vacation home in the Berkshires? (Salazar takes a sip of coffee, waves a hand.)

Naw. I wish.

I was disbarred, y’see?

It’s that same old story. Perjury. Kickbacks. Abusing power. Clients. Drugs. Attempted murder.

-Wow. What a … a colorful career.

Career? Hell no, that was just my first trial.

During the opening statements.

Man, I’d gobbled down a fist full of magic mushrooms this dirty old hippy traded me for a ’63 Impala. I thought my hair was on fire!

Continue reading “Benjamin Salazar, Esq. (of Monster City, by Kevin Wright)”

Jorrie (of Jorrie and the Skyhorse, by Zoë Landale)

Dear readers, tonight with me is a girl that ran away from home, only to discover a world of strange creatures and dark magics. She is here to tell us about her bond with a wolfhound and about an ancient skyhorse.


Tell us a little about where you grew up. What was it like there?

I grew up in Cimarron, the capital of the Salish Federation. It’s a port city, very old, with lots of stone buildings. My mom and I live, or maybe I should say lived, on the third floor of a house overlooking St Stephen’s square, right downtown. My mom’s still there. Right now I’m staying with my auntie and uncle and cousin on Satter Island, the furthest of the Outer Islands.

Did you have any favourite toys as a child? Any cherished memories?

My favourite toy was called Donks. He was a donkey. Kids aren’t supposed to display any seithr abilities, any magic, that comes on, or not, until puberty. But after my dad disappeared when I was four, I was really upset. And Donks tore apart another favourite toy, a tiger. True story! I was there, with a High One who took me back to my past. It was really weird watching this four-year-old version of myself. The older version of me couldn’t speak, couldn’t affect anything.

What do you do now?

I’m waiting to apprentice as beast-T, a beast-Talent.  All my life I’ve been this weird kid and now it turns out, I actually some ability. Which is such a relief. I’m going to get training and I’ll be with a bunch of people who practice seithr and I’ll have friends. It’s taking awhile because most Ts only want to take on younger kids. I’ve already have a bond, a gorgeous wolfhound called Narvi.

Continue reading “Jorrie (of Jorrie and the Skyhorse, by Zoë Landale)”

Hank Mossberg (of Murder in the Boughs by Jamie Sedgwick

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Dear readers, tonight with us a in a paranormal detective – but not of the usual kind. Even though he lives in San Francisco, it’s not quite the one we know. Hank calls himself and his business a Private Ogre. We are here to learn of the darker underside of his world.

 

What can you tell us about the supernatural underbelly of San Francisco? How do the fae stay hidden from humans?

Strictly speaking, I shouldn’t answer this question. If you were kindred it wouldn’t be a problem, but humans aren’t supposed to know about the undercity. You found out about it somehow, so I guess you’re okay. All right, here’s what I’ll tell ya;

The undercity is located in a cavern below San Francisco. It’s a miserable dark, damp, cold place; filthy and humid and filled with the dregs of society. The undercity is about the same.

You’re pulling my leg.

All kidding aside, I like San Francisco and the undercity. I just hate the way humans have influenced the fae. I think it all began with the undercity. For some reason, the fae thought it would be a good idea to transport parts of their ancient cities to the cavern underneath San Francisco. I suppose there were numerous reasons for this, but ultimately it probably comes down to commerce. Goblins, for example, are extremely capitalistic. High elves also crave wealth and power. And gadgets. Everybody loves gadgets. So the fae have certain needs to interact with humans, yet must conceal their true nature for their own protection. Hence, the undercity. It allows fae and kindred (humans with fae ancestry) to remain close and yet safely concealed. Naturally, they use magic to enhance that concealment. When an elf or some other creature wants to go “topside,” he can use a number of secret access points disguised as mundane things like closets or sub-levels of parking garages. Continue reading “Hank Mossberg (of Murder in the Boughs by Jamie Sedgwick”

Aeron of Brittany (of The Masks of Monsters by Narayan Liu)

The Mastks of MonstersDear Readers, tonight in the guest chair we have Aeron of Brittany, out of the pages of The Masks of Monsters. Aeron is a 400 year old French vampire, a rising star in his society.

 

 

 You don’t look like most vampires I’ve seen. Where did you come from?

A long time ago, I was not trapped in this form… I could will this all away and blend in with the mortals as most other vampires do. I was a simple Frenchman from Rennes, cursed and empowered with strength enough to dominate all monsters I came across. All those who threaten our world will come to know it.

Does my appearance frighten you, mortal? Is it this grim, grey flesh of mine or my wings like the Devil’s own that causes you to quiver in fear? But… say again… most vampires you’ve seen? Continue reading “Aeron of Brittany (of The Masks of Monsters by Narayan Liu)”

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