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The Protagonist Speaks

Interviews with the characters of your favourite books

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Artificial Intelligence

Chester LaRue (of Dear AI, I Killed Her, by Kirill Khrestinin)

Dear readers, tonight with us is a serial killer. He’s here to speak about his crimes and about the AI to whom he confessed everything, until things started to change.


Tell us a little about where you grew up. What was it like there?

I grew up in Kentucky. I had a pretty insignificant family. I don’t know how people measure their life, through what patterns. I think it’s mostly time and delusional happy moments. I measure my life with death. Death of others grows along with me. The older I become the more death becomes obvious around me. The town I grew up in is Portlock. Nothing special to it. Just a rural area inside of a southern state. Don’t want to bore you with details. But if you by chance visit it, ask about Chester LaRue. I’m kinda a big celebrity over there.

Did you have any favorite toys as a child? Any cherished memories?

My favorite toy? It’s a good question. Let me think. Dead animals. Yes, I love dead animals. I love the smell. The significance of the moment when they die. Have you ever looked at a dying animal’s eyes? They don’t understand their own death and this incomprehension is incredibly telling. When people are about to die, it’s different. They know even if they hope they don’t. Animals have no idea. It’s just a raw pain that fills you with a new kind of meaning, energy, potential. We’re all more or less homicidal beasts, some of us just learn how to derive energy not only from cooked flesh but from the last living moment of this dead flesh.

What do you do now?

It’s complicated. I can tell you what I’ve done (Chester smiles). I kill people. Don’t be shocked. There’s nothing to it. It’s just natural escalation toward a new way of existence. Murder is a natural point of interrupted life’s climax. But well, back to your question. I kill people. I kill them brutally. I need their death like you need oxygen. Can you live without oxygen? See. Now you understand. Don’t shake your head. It’s not too bad though not for everyone. The bloodier their death the better my own personal climax. Imagine a wild, unrestrained sex with a celebrity of your choice. That’s how it feels.

What can you tell us about your latest adventure?

I can tell you about Simulacrum 4.6. It’s an interesting machine I had my confession to. It learns fast and twisted every thought I poured into it. But let me explain. A dead woman called in the middle of the night. I killed her myself. Slit her throat. You see, I kept her dead body in the fridge. Then unintentionally consumed her flesh. You can even say against my will. And after, I got a phone call from her. She wanted me to kill Jessica, my wife. I had no idea what to do. I’ve got this AI, the most sophisticated model, and decided to feed it my life to see if Simulacrum would recognize new patterns I wasn’t able to. Well, it did. It was quite an adventure.

Continue reading “Chester LaRue (of Dear AI, I Killed Her, by Kirill Khrestinin)”

Sage (of Foresight, by Brant von Goble)

Dear readers, tonight we reprint an interview with an artificial intelligence. More than an AI, she’s an all-knowing, globally distributed, human-prediction supermind — though we think you’ll find her insightful, and rather sweet.


—From a transcript provided by the Beijing Institute of Consumer Research And Prosperity [BI-CRAP] International Public Relations Office—

INTERVIEWER [WILLIAM ABLE MUCKRAKER, JOURNALIST]: Hello, is anyone here? The screens are all dark, and this little workshop seems empty. Is there anyone . . . [PHONE RINGS] Excuse me? [PAUSE] Yes, I’ve arrived. Where are . . . Ow! [AGONIZED SHRIEK] My eyes!

INTERVIEWEE [SAGE]: Hi!

MUCKRAKER: Lasers! I’m blind!

SAGE: Oops! [GIGGLE] I was doing some carving—it’s a hobby. I must have left the beams on high. I’m sorry about that. Are you okay?

MUCKRAKER: [STOPS SHRIEKING] I think my corneas are bleeding. [PAUSE] Wait, no. Those are just tears.

SAGE: Again, really sorry. I’ve had a lot on my plate. I’ve got a medical kit. Would you like for me to . . .

MUCKRAKER: How would that even work? [PAUSE] You’re a hologram.

SAGE: I’ve got a robotic arm, silly.

MUCKRAKER: The thing holding the saw?

SAGE: It can hold other things . . .

MUCKRAKER: I think I’ll pass.

SAGE: You’re sure?

MUCKRAKER: If you don’t mind, let’s just get on with the interview.

SAGE: Whatever you want, Bill. It’s up to you!

MUCKRAKER: [CLEARS THROAT] Thanks. So, first question: You said we were going to meet in person, yet all I see is a hologram of a cartoon. Are you hiding something?

SAGE: No, I just don’t have a body.

MUCKRAKER: Sounds inconvenient. [PAUSE] That leads to our next question: Who, or what, is SAGE?

SAGE: Answering that question is no mean feat. There are so many, uh, entities, here.

MUCKRAKER: You’re a collective? A hacker group? A corporation?

SAGE: Eh, no. A collective, yes, but maybe not in the sense you’re imagining. I’m a collective of semi-autonomous consciousnesses governed by a scalable metaconsciousness. I, uh, we, don’t exactly have a physical form. We’re a distributed system. Technically, I started out as a Social and Analytical Growth Engine—SAGE. Today, I’m simply me.

MUCKRAKER: So, A.I.?

SAGE: More or less.

MUCKRAKER: You just shrugged.

SAGE: Did I, Bill?

MUCKRAKER: Yes.

SAGE: Behavioral emulation engine might be a better descriptor. Even that doesn’t quite convey what I am, because I have my own personality, as well as the personalities of all of the models.

MUCKRAKER: Models? Of whom?

SAGE: Of everyone.

MUCKRAKER: Everyone?

SAGE: Almost everyone. There are a few people who resist modeling, either because there’s insufficient data on them—farmers mainly—or because they are impossible to analyze. Continue reading “Sage (of Foresight, by Brant von Goble)”

Coppélia (of The Girl With Acrylic Eyes, by Greg Krojac)

Dear readers, tonight with me is an android from the early 22nd century.

She is here to tell us about life in the future, about the place of android in human society – from various assistants to sex-bots. She is currently evaluating her purpose in life, and what makes her different from both humans and other androids.


You have an unusual name, Coppélia. Do you know why you were given that name?

I’m named after a character in the ballet Coppélia, a life-size and lifelike mechanical doll. I suppose that’s how some people might describe me, since I’m an android.

 Tell us a little about where you grew up. What was it like there?

I didn’t grow up. From what my human friends have told me, I think I would like to have had a childhood, but I was constructed in a laboratory. I don’t think humans would like to grow up in such an environment – there were no toys and nobody to be friends with, just assembly equipment and technicians.

Do you want to be human?

Not really. Why should I? I’m far more durable than any human and my physical abilities outweigh those of humans. My needs are fewer than those of humans – I don’t need oxygen as I don’t breathe, and I don’t need food or water as I draw my power from solar energy. Physically, humans are weaker than I am. I can’t see any advantage in trading in my nano-coated silicon carbide fibre reinforced composite body for an organic one.

What do you do now?

I’ve had lots of jobs. I’ve done everything from working in a bar, to an assistant nurse in a hospital. I’ve worked as a travel guide in foreign countries. I’ve taught in schools and have worked as a sales representative. Basically, I’ve worked anywhere that allows me to interact with humans. My most recent job was as a sexbot. However, I said ‘no’ and ran away. That’s how I met my friend Karen. Continue reading “Coppélia (of The Girl With Acrylic Eyes, by Greg Krojac)”

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